Neal Prince Trust

TILEM, Ida Bagus (1936-1993)
"Hanuman, Soldier of Rama"
Carved Stone Garduda¹,

Neal Prince:

Artist A - G

Artist H - P

Artist Q - T

Artist U - Z


Costume Design Collection

Neal Prince & Herbert W. Hemphill, Jr. Collections 1950-1967

Fine Arts Appraisal for Herbert W. Hemphill, Jr., 1964

Fine Arts Appraisal for Neal Prince, 1969



"Hanuman, Soldier of Rama" Carved Stone Garduda¹, c.1963

Mr. Ida Bagus Nayana (1912-1985) Mr. Ida Bagus Tilem (1936-1993)

Artist:           Ida Bagus Tilem (1936-1993), Indonesia (credited)

Title:            "Hanuman, Soldier of Rama" Garduda²  (Human body and a dragon head)

Date:            ca.1963

Set:              Yes, Pair of the same god statues, being the god of Hanuman

Medium:      Stone Carving Statue

Materials:     Native Balinese Volcanic Rock

Markings:     Unidentified

Markings:     Right arm in a 90° degree position out front.

Dimensions: 48 ½”h. x 13 ½”w. x 12 ½”d.              

Inventory No: NAPT.1999.000392

Provenance: Neal Prince Trust u/a/d 10.18.1999

Mr. Neal Prince

Mas Ubud, Bali – Indonesia

Mr. Ida Bagus Tilem, Artist (Gifted to Mr. Prince to express his kindness as his crafts were these Statues were incorporated around the pool area of the newly Inter-Continental


Footnote ¹:            Hanuman: The son of Phra Pai, the wind god and the maiden Sawah who later becomes Phra Ram’s chief soldier. After his many successes in the struggle against Tosakanth, Phra Ram created him Phraya Anuchitchakrit Pipaatpongsa, the rule of Nopburi.

Footnote ²:            In 1964, Inter-Continental Hotel was granted permission by the Indonesian Government to be the first International Hotel to be built and operate by a Multi-national Corporation in Bail.

Footnote ³:            These stone carvings were used as a decorative statutes that were placed around the pool area.



Ida Bagus Tilem (1947-1993), Indonesian, Master Carver

Born in the village of Mas, Bali, in 1936, into a long tradition of family woodcarvers, Ida Bagus Tilem showed an early fascination for the art which was to become his whole life. Despite the relative material poverty of his childhood, his fondest memories were of his childhood days. Preferring the company of his elders to that of the roaming village children, as he spent his days seated at his father's side on a mat on the hard-packed earth of the family compound, watching the artist transformed the inanimate wood into the most strangely beautiful carvings.  Life as a child in Bali is full of wonder, and Ida Bagus Tilem's favorite evenings were spent following his uncle's Wayang Kulit Shadow Puppet shows from village to village, his father's performances in Wayang Wong Drama and Topeng Mask Dance, and listening to the vivid tales of his grandfather. This strong influence on his basis of thinking and philosophy of life at a most impressionable age, which he is now fully able to appreciate, instilled in him an unquenchable creative desire. He spent hours struggling with his father's carving tools to bring to life small off-cuts of wood, remnants of his father's creations. His father, Ida Bagus Nyana, born in 1912, and was as a young man, recognized as one of Bali's most "talented sculptors of wood". A quiet, unpretentious, and unassuming man, Ida Bagus Nyana allowed his son to develop his skills unhindered, gently stressing the importance of patience and the total no-compatibility of materialism with creativity. Slowly, he developed his talent, despite battered hands from his first few attempts with his father's razor-sharp chisels, carving tiny animals and birds and traditional figures from the Wayang stories. These items he was able to sell to the random tourist, and these items were sold at the only art gallery on the island, at that time, in Sanur. He saved up for a bicycle to go to school, and at high-school age used to ride 20 km to Denpasar every Sunday afternoon for the week's school in town, returning the following Saturday to immerse himself once more in his carving. His parents could not afford the expenses of schooling, so he carved for his education. In 1958, because of family financial problems, Tilem decided to leave school and set up a studio in Mas, at his home, where he sold his own work, and was able to contribute to the family income. Local boys used to come and sit with him. He now had more than 100 apprentices and the same number of fully fledged carvers working with him with time. Recalling his own frustration, as a youth, trying to develop his skill and knowledge on the few materials available, he furnishes wood and tools to those as yet unable to buy their own, helps them to use material to its fullest possible potential, and then provides an outlet for sales in his studio. Being a father of four children, Tilem was ever conscious of the importance of family tradition and his cultural heritage. Since his first trip abroad, when he was chosen to represent Indonesia at the New York World Fair in 1964, he has had numerous overseas exhibitions and demonstrations in Thailand, Hong Kong, Australia, Germany, Austria, and Mexico. In 1962, Inter-Continental Hotel was granted permission by the Indonesian Government to be the first International Hotel to be built and operate by a Multi-national Corporation in Bail. At the time, this hotel was the only hotel in the area to offer local lodgings for International Travelers that would be, at the time, that had flown in from the newly schedule Pan-Am flights. It was Mr. Prince’ creatively, which became Inter-Continental Hotels Policy to have each hotel be too designed, in all mannerism and flair, that each Hotel would reflect by design with their customs and artistic flair. Thus, Mr. Prince was introduced to the local master of woodcarving - Mr. Ida Bagus Tilem. Mr. Tilem presented to Mr. Prince with various small samples of his work to illustrate his masterful skills and great abilities as a woodcarver, which the Trust continues to retain those items within the collection to this day. Mr. Ida Bagus Tilem accepted Mr. Prince’s commission to supply the newly Bali Beach Inter-Continental Hotel with vast native wood carvings, stones carvings, face mask and various other wood carvings that would represent the Indonesian culture in the highest respect. This large commission meant that Mr. Tilem would supply the complete Hotel with all of the Hotel Lamp Bases for every room within the hotel, the Lobby Sculptures, along with the Restaurant Sculptures and various other woodworks that Mr. Prince required to have the hotel exhibit an Indonesian flair. Mr. Ida Bagus Tilem also consulted with Mr. Prince with the production of other craftsmen that Mr. Prince needed to furnish the Hotel’s Pool area in the same traditionally mannerism of stone sculpture carved from soft volcanic rock (Paras), which in the past were used to adorn temples and palaces. This consolation by Mr. Tilem would allow the works of art to flow with Mr. Ida Bagus Tilem works of art throughout the Hotel property. Once the Hotel was completed and the commissions were fulfilled. Mr. Ida Bagus Tilem sincerely expresses his deepest, honorable gratitude to Mr. Prince for those profitable commissions in 1966. In by doing so, Mr. Tilem offered to him any works of art that were within his studio in Ubud.

DISCLAIMER: A considerable effort has been made in good faith to ensure that all information accessible from this site of Archives and memoirs are accurate. Despite this effort, it is clear that errors are inevitable. Consequently no guarantees are expressed or implied as to the accuracy, timeliness, currency or completeness of any information authored by persons at or agents of the Neal Adair Prince Trust or its Estate Trust Holding affiliates, or accessible using links from this site. Nor is any warranty made that the information obtained from this Educational Archival site or that of an affiliate is valuable or useful for any purpose. A reader assumes full responsibility for any actions taken based on information obtained from this Educational Archival of Neal Prince Trust web site. In particular, we emphasize that the information available through this site is for Educational and Informative purposes only. All information from these archives, are available to be reviewed by researchers by appointment only. Please contact the Trust Agents for further instructions.

Copyright © 2013 Neal Prince Trust Holdings. All rights reserved. Do not duplicate without express written permission by the Neal Prince Trust. Some Photographs may reflect artwork being photographed through the original glass of the frame artwork. This site is strictly for informational purposes only. And by no means will the Trust ever consider or accept any offers to sell the Neal Prince Estate Holding Trust Collections.