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The Second Etching (No. 53AB) is titled, “Der Tod und das Mädchen”, 1967, Vienna
| Inventory No: NAPT.1999.000053.02 |
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| Ernst Fuchs (1930- ), Austrian, Surrealism,Etchings² (8-1/8" x 5-½") |
Artist: Ernst
Fuchs (1930- ) Austrian
Title²: The
Second Etching, (No. 53AB), is titled "De Tod und das Mädchen",
1967, Vienna
Date: Purchased
on May 1st, 1968
Medium: Etchings
Materials: Russet Copper
Plate Printing Paper
Markings²: Edition 50/60
Dimensions²:
8-1/8" x 5-½"
Framed:
Yes, item has remained in the original frame when acquired by Mr. Prince.
Inventory No: NAPT.1999.000053.02
Provenance: Neal Prince Trust u/a/d 10.18.1999
Mr. Neal A. Prince
Galerie Sydow, Postfach 16 660 Frankfurt, 16 Germany
Footnote: This item is part of Mr. Prince's Surrealism
Collection.
Footnote¹:
Both Etchings were part of a book, from the Author, Hans C. Artmann, Titled "Grünverschlossene
Botschatf", ©1989, Publisher: Residence, Language: German
Official Ernst Fuchs Website: Ernst.Fuchs.Official.Website
Ernst
Fuchs (1930- ), Austrian
Mr. Fuchs
was born in Vienna, on February 13, 1930. His father, a son
of an orthodox Jewish family, had turned down a career as a Rabbi. Leaving his theological studies uncompleted. When the Nazis
occupied Austria in March of 1938, his father immigrated to Shanghai. Ernst remained in Vienna
with his mother while the Nazi controlled Austria.
During this time, the Nazi legislation made it illegal for his mother to raise her son due to the fact that his father
was Jewish. And therefore, Ernst was scheduled to be deported to a transit camp for children of mixed racial origin.
However, his mother agreed to a formal divorce from her husband due to the fact that she is a Christian and therefore saving
Ernst from the extermination camp. In 1942 Mr. Fuchs was baptized, an event of the utmost significance for him that determines
his future life and work. He feels the vocation to become an artist and takes initial lessons in drawing, sculpting and painting
with Alois Schiemann, a well-known painter and restorer. Subsequently he receives tuition from Professor Frohlich and the
sculptress Emmy Steinbock. In 1945, Mr. Fuchs studied under the direction of Professor Albert Paris von Gutersloh at the Vienna
Academy of Art. There he encounters the works of Egon Schiele and Gustav Klimt. In 1948, Mr. Fuchs founded "Vienna School
of Fantastic Realism" together with other artist which the school participated in the first exhibition of the Vienna Art Club
in Turin, Italy.
In 1949, Mr. Fuchs settles in Paris where he
remained for 12 years. During that time he experience many years of misery and poverty until in 1951/52 when he was met with
great international recognition. In 1952, he traveled to England, Spain,
and Italy, after which Mr. Fuchs traveled to United States until 1956. In 1956, Mr. Fuchs moved to Israel where he had lived in the Dormition Monastery on Mount Zion and painted Icons. He devoted all his energies to furthering Jewish-Christian
understanding and worked as a church painter. Mr. Fuchs was commissioned to paint the Drei Mysterien des heiligen Rosenkranzes
(Three Mysteries of the sacred Rosary) for a newly-built church in Vienna. His paintings cause a great storm of protest and some of his most vehement
detractors demanded that the pictures be removed from the church. In 1962 Mr. Fuchs opened a gallery that became a center
and meeting place for the idealism of Fantastic Realism, which is School of Thought. In 1966, he wrote a book titled, "Architectura
Caelestis" in which he detailed his artistic concepts as well as architectural designs and sculptures. In 1970 Mr. Fuchs changed
his medium from his paint brushes to working with new medium of bronze, granite, silver and synthetic resin. Between
1974-1978, Mr. Fuchs worked in cinema and stage, such as the state set designs for the Opera Houses in Hamburg Parsifal
and Magic Flute, in Munich Lohengrin and in Vienna Tales of Hoffmann and Josephslegende. Simultaneously he worked on a series
of water-color paintings Lohengrin. Between 1980-1988, there were International Exhibitions held on his works ending in Venice as a retrospective show. In 1988, Mr. Fuchs opened to
the public his own private museum which he purchased in 1973, the Otto Wagner villa in Vienna-Hutteldorf, which he subsequently
renovated and completely restructured. The opening of the Ernst
Fuchs Private Museum, on the occasion of the centenary of the "Villa Wagner". In 1993, the first
Ernst Fuchs exhibition show was held in Russia:
the most comprehensive retrospective to date in the Russian
Museum of St. Petersburg. Today, Mr. Fuchs lives and works in the south of France.
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