Framed:                  Yes, Custom Period Frame, with craved within the frame, “Sir Edward Coley Burne-Jones)

Provenance:          Neal Adair Prince Trust u/a/d 10.18.1999

Mr. Neal Prince

Mr. Neal Prince and Mr. Herbert Waide Hemphill, Jr.¹,²

Roy Davis Gallery, 231 East 60^th Street, New York, New York 10022 

Footnote¹:             See below attached Links to further review Appraised Schedule for Item NAPT-00025

Sir Edward Coley Burne-Jones (1833-1898), British

Sir Edward Coley Burne-Jones was born in 1833 in Birmingham and educated at the University of Oxford. Trained by the Pre-Raphaelite painter Dante Gabriel Rossetti, Sir Edward Coley Burne-Jones shared the Pre-Raphaelites' concern with restoring to art what they considered the purity of form, stylization, and high moral tone of medieval painting and design. His paintings, inspired by medieval, classical, and biblical themes, are noted for their sentimentality and dreamlike romanticized style; they are generally considered among the finest works of the Pre-Raphaelite school. They include King Cophetua and the Beggar Maid (1884, Tate Gallery, London). Burne-Jones was also prominent in the revival of medieval applied arts led by his Oxford friend the poet and artist William Morris. For Mr. Morris's firm he designed stained-glass windows, mosaics, and tapestries. His windows can be seen in many English churches, including Christ Church, Oxford, and Birmingham Cathedral. He also illustrated books of Morris's Kelmscott Press, notably Chaucer (1896). Burne-Jones was knighted in 1894. He died in 1898.