nap_copyright2007.jpg
Neal Prince Trust
being the Grantor to the
Neal A. Prince and Herbert W. Hemphill, Jr. Estate Holding Trust u/a/d 05/08/2000
which is the legal owner of this item below:

BURNE-JONES, Sir Edward Coley
(1833-1898),
English, Pencil¹
"Study of an Angle"
(10-5/8" x 7-½") ca. 1870 (estimated)
 

Neal Prince:

Artist A - G

Artist H - P

Artist Q - T

Artist U - Z

Source
Holdings:
NAPT1921.01
to
NAPT.1949.99
Source
Holdings:
NAPT1950.01
to
NAPT.1959.99
Source
Holdings:
NAPT1960.01
to
NAPT.1969.99
Source
Holdings:
NAPT1970.01
to
NAPT.1989.99
Source
Holdings:
NAPT1990.01
to
NAPT.2013.01

Costume Design Collection

Neal Prince & Herbert W. Hemphill, Jr. Collections 1950-1967

Fine Arts Appraisal for Herbert W. Hemphill, Jr., 1964

Fine Arts Appraisal for Neal Prince, 1969

 

CONTACT US

Inventory No: NAPT.1999.000025
 
napt_00025a.jpg
Sir Edward Coley Burne-Jones (1833-1898) English¹

Inventory No: NAPT.1999.000025
 
napt_00025b.jpg
Sir Edward Coley Burne-Jones (1833-1898) English¹

This item was deaccession This item was deaccession on November 1, 2016, which it was Auctioned off at Heritage Auctions on May 25th, being that certain 20th Century Design Auction Sale.

Artist:           Sir Edward Coley Burne-Jones (1833-1898), British

Title¹:           Study of Angles

Date:            1870 (estimated)

Medium¹:     Drawing

Materials¹:   Pencil on paper heightened, female angle figure

Markings¹:    Pencil on the back of artwork, “HEMPHILL”

Dimensions¹: 10-5/8” x 7-½”

Framed:        Yes, Custom Period Frame, with craved within the frame, “Sir Edward Coley Burne-Jones)

Inventory No: NAPT.1999.000025

ProvenanceNeal Prince Trust u/a/d 10.18.1999

Mr. Neal Prince

Mr. Neal Prince and Mr. Herbert Waide Hemphill, Jr.¹,²

Roy Davis Gallery231 East 60th Street, New York, New York 10022 

Provenance: Source documentation for the Fine Arts Appraisal for Herbert W. Hemphill, Jr., May 12, 1964, Page 5/13

Footnote:             Provenance is fully noted within Herbert Waide Hemphill, Jr. (a/k/a Bert) insurance policy executed by Neal Prince in 1964 and is filed with the Smithsonian Institute American Archives in Box 6, in Folders 13-18.

 

Footnote¹:           This item is part of Mr. Prince's Collection of the Pre-Raphaelite Period.

 

 

Sir Edward Coley Burne-Jones

(1833-1898), British

Sir Edward Coley Burne-Jones was born in 1833 in Birmingham and educated at the University of Oxford. Trained by the Pre-Raphaelite painter Dante Gabriel Rossetti, Sir Edward Coley Burne-Jones shared the Pre-Raphaelites' concern with restoring to art what they considered the purity of form, stylization, and high moral tone of medieval painting and design. His paintings, inspired by medieval, classical, and biblical themes, are noted for their sentimentality and dreamlike romanticized style; they are generally considered among the finest works of the Pre-Raphaelite school. They include King Cophetua and the Beggar Maid (1884, Tate Gallery, London). Burne-Jones was also prominent in the revival of medieval applied arts led by his Oxford friend the poet and artist William Morris. For Mr. Morris's firm he designed stained-glass windows, mosaics, and tapestries. His windows can be seen in many English churches, including Christ Church, Oxford, and Birmingham Cathedral. He also illustrated books of Morris's Kelmscott Press, notably Chaucer (1896). Burne-Jones was knighted in 1894. He died in 1898.

 
 
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