Neal Prince Trust
Neal Prince & Herbert (Burt) W. Hemphill, Jr. Collections from 1950 to 1967
Neal Prince, AIA, ASID (Curriculum Vitae)
Artist Index A - L
Artist Index M - Z
Neal Prince's Theatrical Summary from 1934 to 1958
"Cry Out Cassandra", Play by Neal A. Prince
"Razzamatazz", Musical by Neal A. Prince
Rare 19th and 20th Century Costume Design Collection
Neal Prince and Herbert W. Hemphill, Jr. Collections 1950-1967
Appraisal, Page 1/13
Appraisal, Page 2/13
Appraisal, Page 3/13
Appraisal, Page 4/13
Appraisal, Page 5/13
Appraisal, Page 6/13
Appraisal, Page 7/13
Appraisal, Page 8/13
Appraisal, Page 9/13
Appraisal, Page 10/13
Appraisal, Page 11/13
Appraisal, Page 12/13
Appraisal, Page 13/13
CONTACT US

naptp0001final.jpg
Neal Prince and Hebert (Burt) W. Hemphill, Jr. 1952, ©2000, All Rights Reserve

Mr. Neal Prince and late Mr. Herbert Waide Hemphill, Jr. (a/k/a Burt Hemphill) in 1950 were introduced by a mutual friend, Carrie Donovan (she later became the New York Times Fashion Editor and after that, the Television Public Relations spokesperson for the Old Navy Clothing Store, which she was best known for her wearing those enormous black frame glasses). Soon Mr. Prince and Mr. Hemphill, Jr. decided to moved in together to share an apartment from 1950 until 1967. Mr. Prince supported Mr. Hemphill until he was able to realize his talents to become the leading American Folk Art Collector and Expert of that field of American Folk Art. Both gentleman regularly attended Broadway productions and the era's chic cabarets and clubs, such as the Copa Cabana, Bon Soir, Upstairs at the Downstairs, and Basin Street until the late 1960's. Mr. Prince came to New York from Corsicana, Texas, during the late 1940's, in hopes of becoming a playwright and director, and was active at Lee Strasberg's Actor's Studio for approximately five years. Mr. Prince supported himself as an architect, and by 1960 he was the Vice-President of Interior and Graphic Design for Inter-Continental Hotels. Between 1950 and 1952. Mr. Prince and Mr. Hemphill shared a brownstone on East Sixty-Fifth Street with Katherine Anne Porter, who was then slowly writing Ship of Fools until their move to another apartment. Mr. Prince and Mr. Hemphill enjoyed rubbing elbows with the likes of Noel Coward who gathered in the garden to listen to Ms. Porter read aloud from her work. These two men proved to be formidable party-goers and givers themselves, and at their salon-style gatherings on Saturday nights one could have met Alice Ghostley, Paul Lynde, Eartha Kitt, Paul Newman, Leonard Sillman the (Broadway producer), Jerome Robbins, or Carrie Donovan, then the editor for Vogue. The following Collections were acquired together by Mr. Prince and Mr. Hemphill during the period they were together.  

 

The following Inventory Items are a sample of the currently being held by the Neal Adair Prince Trust that was acquired by Mr. Prince and Mr. Hemphill, Jr. jointly. To further view the complete Trust Collections, those works of art are listed under the "ARTIST INDEX":

Click on Image for Further Review
00032_00002final.jpg
UNIDENTIFIED Artist, Primitive, Portrait, Oil on Canvas, Man with White Sock, (25" x 20½")

Click on Image for Further Review
napt-00042a.jpg
UNIDENTIFIED Artist, American Folk Art, Oil on Tin,"Cabbage Kids" (20" x 21")

Click on Image for Further Review
napt-00042b.jpg
UNIDENTIFIED Artist, American Folk Art, Oil on Tin,"Cabbage Kids" (20" x 21")

Click on Image for Further Review
napt_0042906a.jpg
UNIDENTIFIED Artist, Primitive Folk Art, Playing Cards, Water colour; (5" x 3")

Click on Image for Further Review
dsc02460final.jpg
Willie White (1908-2001) Marker on Poster Board, (22-½" x 28")

Click on Image for Further Review
napt_00016a.jpg
Leon Bakst (1866-1924), Russian, Water Colour,"Parting of Daphnis and Chloe", Act 3, (31-½" x 51")

Click on Image for Further Review
napt00025final.jpg
Sir Edward Coley Burne-Jones (1833-1898), English, Pencil on Paper

Click on Image for Further Review
napt00034final.jpg
Charles Edward Condor (1868-1909), English, Pen and Color Chalk, (7-1/8" x 4-½")

Click on Image for Further Review
00020a.jpg
Robert Courtright (1926-__), American, Collage, Torre Comunale, Velletri (39½" x 8½")

Click on Image for Further Review
napt00057final.jpg
Richard Dadd (1817-1886),English; Surrealism Framed Etching, (6.0" x 9-3/4")

Click on Image for Further Review
napt00001final.jpg
Serge Ferat (1881-1958), Russian, Abstract, Cubistic Style, (9-¼" x 9.0")

Click on Image for Further Review
00053ab.jpg
Ernst Fuchs (1930- ) Austria, ETCHINGS; Two (Edition 50/60)

Click on Image for Further Review
napt_00004a.jpg
Robert Galster (1923-1991), American, Gouache (11-3/4" x 8")

Click on Image for Further Review
napt_00130a.jpg
Utagawa Hiroshige (1797-1858), Japanese, Block Print

Click on Image for Further Review
napt00048final.jpg
Dudley Huppler (1917-1988), American, Water Color, (9-½" x 13-½")

Click on Image for Further Review
napt00028final.jpg
Alexandre Lunois (1863-1915), French, Water Color, (9.0" x 4-3/4")

Click on Image for Further Review
napt00030final.jpg
Sir John Everett Millais (1829-1896), English, Pen and Ink on Paper, (2-3/4" x 4-1/8')

Click on Image for Further Review
napt00411final.jpg
Francis Luis Mora (1874-1940) American, Water Color, (6-3/4" x 9-3/4")

Click on Image for Further Review
00003_00003final.jpg
Paul Ranson (1864-1909), French, Water Color; (12-¼ x 8-¼)

Click on Image for Further Review
napt_00007c.jpg
George Segal (1924-2000), American, Oil on Canvas, ca.1958 (30" x 36")

Click on Image for Further Review
napt00031final.jpg
Walter Richard Sickert (1860-1942) English, Pen on paper, "Merchant of Venice"

Click on Image for Further Review
00033_00005finalc.jpg
Albert Edward Sterner (1863-1946), American, Water Color, (12-½" x 9-½")

Click on Image for Further Review
napt00019final.jpg
Jacques Villon (1875-1963), French, Acquatint and Lithograph, "Les Cartes", ca.1903, no.5/25

Click on Image for Further Review
napt00046final.jpg
Andy Warhol (1928-1987) American, Drawing, Whitewash on Paper, (10-¼" x 8-1/8")

Click on Image for Further Review
napt00029final.jpg
Stanford White (1853-1906), American, Water Color, (10-1/8" x 13-½")

Click on Image for Further Review
napt_00339a.jpg
Robert Yahn (1921-19XX), American, Portrait, Oil on Canvas, Pointillist, (30" x 24")

Neal Prince and Herbert (Burt) W. Hemphill, Jr.
napt_1952a.jpg
Photo of Neal Prince and Herbert (Burt) W. Hemphill, Jr., Photographer: Robert Galster,1958 ©2000

To seek further Herbert Waide Hemphill, Jr. (Burt's) Primitive American Folk Art Collection being held at the Smithsonian Institute in Washington, D.C. and the American Folk Art Museum in New York, Please review below:

Click Image to Seek Further Information
hwhjrbk.jpg
Made with Passion - The Hemphill Folk Art Collection, c.1990



SMITHSONIAN AMERICAN ART MUSEUM 

8th Street and "F" Street, Washington, D.C. 20004

t. 1202.633.7970, t. 1202-633-5285 

indian.squaw.scout_.jpg
Click on Image to review Smithsonian American Art Museum Collections

To further view Herbert W. Hemphill, Jr. (Burt’s) vast collections in the "Made with Passion - The Hemphill Folk Art Collection" Publication, please consult your local Bookstore. Or, to personally view Burt's vast and various Primitive Art Collections, which are permanently held at the Smithsonian American Art Museum in Washington DC (USA), then please visit them on their website by clicking on the above banner. Their collection is the most highly praised American Primitive Collection in the world. If you any further questions on the Prince Trust Collections, please email us at: legal@nealprincetrust.org, and we will be more then pleased to assist you at will.  




AMERICAN FOLK ART MUSEUM

45 West 53rd Street, New York, New York 10019

t. 1212.265.1040 

flag.gate.1876.jpg
Click on Image to review American Folk Art Museum Collections

To further view Herbert W. Hemphill, Jr. (Burt’s) Limited Holdings at the American Folk Museum in New York, then please visit their website by clicking on the above banner¹. Their collections are limited with respect to Burt’s Collections, however; their outstanding exhibits various by Periods, Mediums, and/or Artist. Please consult their website to review their current and/or upcoming exhibits. This Trust highly recommends visiting the American Folk Art Museum since their Senior Curator, Mrs. Stacy C. Hollander has continued the wide range focus of American Folk Movement and/or Mannerism as to Mr. Hemphill, Jr. had exhibited in the early years of the Museum. If you have any further questions on the Prince Trust Collections, please email us at: legal@nealprincetrust.org, and we will be more then pleased to assist you. 

 

Footnote ¹:            Flag Gate”, Unidentified Artist. ca. 1876, painted wood and iron brass, 39-½” x 57” x 3-3/4” in. The Flag Gate was originally made for the Darling Farm, physically located in Jefferson County, New York. Mr. Hemphill, Jr. had identified this Gate when this item came up for Auction at the Parke-Bernet Auction House, which Mr. Prince had purchased for the purpose of being used as their Gate for their in-house Bar, which they were famously known for their parties within their Apartment. In 1961, with Mr. Prince’s newly position with Pan-Am Airlines, the owner of the newly International Inter-Continental Hotel Company, hired and assigned Mr. Prince to fly to the Phoenicia Inter-Continental Hotel in Beirut, Lebanon to redesign and complete the construction of the New Hotel. During Mr. Prince’s duration in Lebanon, Mr. Hemphill, Jr. had removed from Flag Gate from the hinges and decided that this Gate would be the first Item to be donated to the Newly Formed American Folk Art Museum before he notified Mr. Prince that his adored gate was given away, as a donation, to the Museum without credit. Hence, this “Flag Gate” is listed under the American Folk Art Museum as “gift of Herbert Waide Hemphill, Jr., 1962.1.1”.  In late 1963, Mr. Hemphill, Jr. attempted to mend the situation by donating the carved and painted wood 19th Century “Turtle”, (Unidentified Artist- 7-¼” x 20-3/8” x 7-5/8”) as a gift of Herbert Waide Hemphill, Jr., in the name of “Neil Adair Prince”, 1964.1.2. However, his first name was misspelled and the event was not mended as attempted by Mr. Hemphill, Jr.

The following Links are Images of the Support Documentation relating to the Statement of Provenance:

<< Click here to return back to the ARTIST INDEX Page >>

DISCLAIMER: Some Photographs may reflect artwork being photographed through the original glass of the frame artwork. This site is strictly for informational purposes only. And by no means will the Trust ever consider or accept any offers to sell the Prince Estate Trust Collections.  
Copyright © 1999 Neal Adair Prince Trust. All rights reserved.
Do not duplicate without express written permission by the Prince Estate Trust.