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| Neal Prince, AIA, ASID (Curriculum Vitae) |
| Artist Index A - L |
| Artist Index M - Z |
| Neal Prince's Theatrical Summary from 1934 to 1958 |
| "Cry Out Cassandra", Play by Neal A. Prince |
| "Razzamatazz", Musical by Neal A. Prince |
| Rare 19th and 20th Century Costume Design Collection |
| Neal Prince and Herbert W. Hemphill, Jr. Collections 1950-1967 |
| Appraisal, Page 1/13 |
| Appraisal, Page 2/13 |
| Appraisal, Page 3/13 |
| Appraisal, Page 4/13 |
| Appraisal, Page 5/13 |
| Appraisal, Page 6/13 |
| Appraisal, Page 7/13 |
| Appraisal, Page 8/13 |
| Appraisal, Page 9/13 |
| Appraisal, Page 10/13 |
| Appraisal, Page 11/13 |
| Appraisal, Page 12/13 |
| Appraisal, Page 13/13 |
| CONTACT US |
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| Neal Prince and Hebert (Burt) W. Hemphill, Jr. 1952, ©2000, All Rights Reserve |
Mr. Neal Prince and late Mr. Herbert Waide Hemphill, Jr. (a/k/a Burt Hemphill) in 1950 were introduced by a mutual friend, Carrie Donovan (she later became the New York Times Fashion Editor and after
that, the Television Public Relations spokesperson for the Old Navy Clothing Store, which she was best known for her wearing
those enormous black frame glasses). Soon Mr. Prince and Mr. Hemphill, Jr. decided to moved in together to share an apartment
from 1950 until 1967. Mr. Prince supported Mr. Hemphill until he was able to realize his talents to become the leading
American Folk Art Collector and Expert of that field of American Folk Art. Both gentleman regularly attended Broadway productions
and the era's chic cabarets and clubs, such as the Copa Cabana, Bon Soir, Upstairs at the Downstairs, and Basin Street
until the late 1960's. Mr. Prince came to New York from Corsicana,
Texas, during the late 1940's, in hopes of becoming a playwright and director,
and was active at Lee Strasberg's Actor's Studio for approximately five years. Mr. Prince supported himself as an architect,
and by 1960 he was the Vice-President of Interior and Graphic Design for Inter-Continental Hotels. Between 1950 and 1952.
Mr. Prince and Mr. Hemphill shared a brownstone on East Sixty-Fifth Street
with Katherine Anne Porter, who was then slowly writing Ship of Fools until their move to another apartment. Mr. Prince
and Mr. Hemphill enjoyed rubbing elbows with the likes of Noel Coward who gathered in the garden to listen to Ms. Porter read
aloud from her work. These two men proved to be formidable party-goers and givers themselves, and at their salon-style gatherings
on Saturday nights one could have met Alice Ghostley, Paul Lynde, Eartha Kitt, Paul Newman, Leonard Sillman the (Broadway
producer), Jerome Robbins, or Carrie Donovan, then the editor for Vogue. The following Collections were acquired
together by Mr. Prince and Mr. Hemphill during the period they were together.
The following Inventory
Items are a sample of the currently being held by the Neal Adair Prince Trust that was acquired by Mr. Prince and Mr. Hemphill,
Jr. jointly. To further view the complete Trust Collections, those works of art are listed under the "ARTIST INDEX":
| Click on Image for Further Review |
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| UNIDENTIFIED Artist, Primitive, Portrait, Oil on Canvas, Man with White Sock, (25" x 20½") |
| Click on Image for Further Review |
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| UNIDENTIFIED Artist, American Folk Art, Oil on Tin,"Cabbage Kids" (20" x 21") |
| Click on Image for Further Review |
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| UNIDENTIFIED Artist, American Folk Art, Oil on Tin,"Cabbage Kids" (20" x 21") |
| Click on Image for Further Review |
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| UNIDENTIFIED Artist, Primitive Folk Art, Playing Cards, Water colour; (5" x 3") |
| Click on Image for Further Review |
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| Willie White (1908-2001) Marker on Poster Board, (22-½" x 28") |
| Click on Image for Further Review |
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| Leon Bakst (1866-1924), Russian, Water Colour,"Parting of Daphnis and Chloe", Act 3, (31-½" x 51") |
| Click on Image for Further Review |
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| Sir Edward Coley Burne-Jones (1833-1898), English, Pencil on Paper |
| Click on Image for Further Review |
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| Charles Edward Condor (1868-1909), English, Pen and Color Chalk, (7-1/8" x 4-½") |
| Click on Image for Further Review |
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| Robert Courtright (1926-__), American, Collage, Torre Comunale, Velletri (39½" x 8½") |
| Click on Image for Further Review |
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| Richard Dadd (1817-1886),English; Surrealism Framed Etching, (6.0" x 9-3/4") |
| Click on Image for Further Review |
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| Serge Ferat (1881-1958), Russian, Abstract, Cubistic Style, (9-¼" x 9.0") |
| Click on Image for Further Review |
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| Ernst Fuchs (1930- ) Austria, ETCHINGS; Two (Edition 50/60) |
| Click on Image for Further Review |
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| Robert Galster (1923-1991), American, Gouache (11-3/4" x 8") |
| Click on Image for Further Review |
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| Utagawa Hiroshige (1797-1858), Japanese, Block Print |
| Click on Image for Further Review |
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| Dudley Huppler (1917-1988), American, Water Color, (9-½" x 13-½") |
| Click on Image for Further Review |
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| Alexandre Lunois (1863-1915), French, Water Color, (9.0" x 4-3/4") |
| Click on Image for Further Review |
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| Sir John Everett Millais (1829-1896), English, Pen and Ink on Paper, (2-3/4" x 4-1/8') |
| Click on Image for Further Review |
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| Francis Luis Mora (1874-1940) American, Water Color, (6-3/4" x 9-3/4") |
| Click on Image for Further Review |
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| Paul Ranson (1864-1909), French, Water Color; (12-¼ x 8-¼) |
| Click on Image for Further Review |
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| George Segal (1924-2000), American, Oil on Canvas, ca.1958 (30" x 36") |
| Click on Image for Further Review |
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| Walter Richard Sickert (1860-1942) English, Pen on paper, "Merchant of Venice" |
| Click on Image for Further Review |
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| Albert Edward Sterner (1863-1946), American, Water Color, (12-½" x 9-½") |
| Click on Image for Further Review |
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| Jacques Villon (1875-1963), French, Acquatint and Lithograph, "Les Cartes", ca.1903, no.5/25 |
| Click on Image for Further Review |
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| Andy Warhol (1928-1987) American, Drawing, Whitewash on Paper, (10-¼" x 8-1/8") |
| Click on Image for Further Review |
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| Stanford White (1853-1906), American, Water Color, (10-1/8" x 13-½") |
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| Neal Prince and Herbert (Burt) W. Hemphill, Jr. |
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| Photo of Neal Prince and Herbert (Burt) W. Hemphill, Jr., Photographer: Robert Galster,1958 ©2000 |
To seek further Herbert Waide Hemphill, Jr. (Burt's) Primitive American Folk Art Collection being
held at the Smithsonian Institute in Washington, D.C. and the American Folk Art Museum in New York, Please review
below:
| Click Image to Seek Further Information |
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| Made with Passion - The Hemphill Folk Art Collection, c.1990 |
SMITHSONIAN AMERICAN ART
MUSEUM
8th Street and "F" Street, Washington, D.C. 20004
t. 1202.633.7970, t. 1202-633-5285
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| Click on Image to review Smithsonian American Art Museum Collections |
To further view Herbert W. Hemphill, Jr. (Burt’s)
vast collections in the "Made with Passion - The Hemphill Folk Art Collection" Publication, please consult your local Bookstore.
Or, to personally view Burt's vast and various Primitive Art Collections, which are permanently held at the Smithsonian American Art Museum in Washington DC (USA), then please visit them on their website by clicking on the above banner. Their collection is
the most highly praised American Primitive Collection in the world. If you any further questions on the Prince Trust Collections,
please email us at: legal@nealprincetrust.org, and we will be more then pleased to assist you at will.
AMERICAN FOLK ART MUSEUM
45 West 53rd Street, New York, New York 10019
t. 1212.265.1040
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| Click on Image to review American Folk Art Museum Collections |
To further view Herbert W. Hemphill, Jr. (Burt’s)
Limited Holdings at the American Folk Museum in New York, then please visit their website by clicking on the above banner¹. Their collections are limited with respect to Burt’s Collections, however;
their outstanding exhibits various by Periods, Mediums, and/or Artist. Please consult their website to review their current
and/or upcoming exhibits. This Trust highly recommends visiting the American Folk Art Museum since their Senior Curator, Mrs. Stacy C. Hollander has continued the wide range focus of American
Folk Movement and/or Mannerism as to Mr. Hemphill, Jr. had exhibited in the early years of the Museum. If you have any further
questions on the Prince Trust Collections, please email us at: legal@nealprincetrust.org, and we will be more then pleased to assist you.
Footnote
¹:
“Flag Gate”, Unidentified Artist. ca. 1876, painted wood and
iron brass, 39-½” x 57” x 3-3/4” in. The Flag Gate was originally
made for the Darling Farm, physically located in Jefferson County, New York. Mr. Hemphill, Jr. had identified this Gate when this item came up for Auction at the Parke-Bernet Auction House, which
Mr. Prince had purchased for the purpose of being used as their Gate for their in-house Bar, which they were famously known
for their parties within their Apartment. In 1961, with Mr. Prince’s newly position with Pan-Am Airlines, the owner
of the newly International Inter-Continental Hotel Company, hired and assigned Mr. Prince to fly to the Phoenicia Inter-Continental
Hotel in Beirut, Lebanon to redesign and complete the construction of the New Hotel. During Mr. Prince’s duration in
Lebanon, Mr. Hemphill, Jr. had removed from Flag Gate from the hinges and decided
that this Gate would be the first Item to be donated to the Newly Formed American Folk Art Museum before he notified Mr. Prince that his adored gate was given away, as a donation,
to the Museum without credit. Hence, this “Flag Gate” is listed under
the American Folk Art Museum as “gift of Herbert Waide Hemphill, Jr.,
1962.1.1”. In late 1963, Mr. Hemphill, Jr. attempted to mend the situation
by donating the carved and painted wood 19th Century “Turtle”, (Unidentified Artist- 7-¼” x 20-3/8”
x 7-5/8”) as a gift of Herbert Waide Hemphill, Jr., in the name of “Neil Adair Prince”, 1964.1.2. However,
his first name was misspelled and the event was not mended as attempted by Mr. Hemphill, Jr.
The following Links are Images of the Support Documentation relating to
the Statement of Provenance:
<< Click here to return back to the ARTIST INDEX Page >>
DISCLAIMER: Some Photographs may reflect artwork being photographed through the original
glass of the frame artwork. This site is strictly for informational purposes only. And by no means will the Trust ever
consider or accept any offers to sell the Prince Estate Trust Collections.
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