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(a/k/a Lev Samoilovich Rosenberg)
| Inventory Item NAPT-00016 |
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| Leon Bakst (1866-1924), Russian, Water Colour,"Parting of Daphnis and Chloe", Act 3, (31-½" x 51") |

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| Leon Bakst (Lev Samoilovich Rosenberg)(1866-1924), Russian |
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Artist:
Leon Bakst, (1866-1924), Russian
Title:
Shepherd and Shepherdess with flock²
Production: Parting of Daphnis and Chloe, Act 3 (III)
Date:
1912 (Acquired in 1954¹)
Medium: Original Set Design
Materials: Water Color on Beige Pager
Markings: Signed. Lower Right Corner
Dimensions: 31-½" x 51"
Framed: Yes, item has remained in the original frame when acquired by Mr. Prince and Mr. Hemphill, Jr.
Provenance: Neal Adair Prince Trust u/a/d 10.18.1999
Mr. Neal
Prince
Mr. Neal
Prince and Mr. Herbert Waide Hemphill, Jr.
LA Vielle
Russie Gallery, 781 Fifth Avenue, New York
Footnote¹: Provenance is fully noted within
Hebert Waide Hemphill, Jr. (a/k/a Burt) insurance policy executed by Neal A. Prince in 1964 and is filed with the Smithsonian
Institute American Archives.
Footnote²: "Notes on the Daphnis et
Chloe Ballet: The lovers' sings among the sheep, the pirates' brutal interruption, the least terrifying of storms succeeded
by the most perfectly curved rainbows; dainty dresses which might have been designed by Ovid, and rags corroded by sea-iodine.
Monsieur Bakst has shown us a fearsome glimpse between two mossy glades and the rugged creek where the pirate’s chain
up poor Chloe while they indulge in their rough horse-play and nothing could provide a more delightful contrast to their gruesome
gambols than Daphnis' dance, tinkling and twinkling dew, or the ever-breaking garland of the most Latin of farandoles. Do
the pirates really exist, or are they the creations of a nightmare? - And those metallic goddesses? And the great god Pan?
May not the whole thing more likely be a figment of Daphnis' dreaming fancy?...."Daphnis et Chloe" ends with an awakening
which suggests exactly the requisite degree of dazzled disillusion." Page 45-6, Publication: "THE DECORATIVE ART OF LEON BAKST, Appreciation by Arsene Alexandre,
Notes of the Ballet by Jean Cocteau, c. 1913, reissued 1970, Benjamin Blom, Inc., New York, N.Y. 10025.
Published: Published in the Book: THE DECORATIVE ART
OF LEON BAKST, by Arsene Alexandre, © 1913, reprint © 1971, Benjamin Blom Publishers, New York, New York; plate 57. Dimensions: (31-½” x 51”), copy on file within the Trust.
Institution Holdings: Art Institute of Chicago Fine Arts Museums of San Francisco
Museum of Fine Arts, National Gallery of Australia Harvard University Art Museums Jane Voorhees Zimmerli Art Museum at Rutgers University
National Gallery of Armenia
Leon Bakst (1866-1924), Russian
Leon Bakst was born in St. Petersburg.
Bakst is a sensational stage and costume designer for Sergei Diaghilev's "Ballets Russes" Leon Bakst was one of the most sensational
designers of the century – grandiose, sensual, overwhelming, and a crucial influence on Art Deco as well as the Diaghilev
ballet. His designs are a mingling of very elegant and refined styles, themes and techniques, influenced by Greek vase painters
and miniaturists. The use of vivid color is what Bakst is best remembered for in his designs. He died in Paris in 1924.
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The following Link is an Image of the Support Documentation relating to
the Statement of Provenance:
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DISCLAIMER: Some Photographs may reflect artwork being photographed through the original
glass of the frame artwork. This site is strictly for informational purposes only. And by no means will the Trust ever
consider or accept any offers to sell the Prince Estate Trust Collections.
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