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| Neal Prince, AIA, ASID (Curriculum Vitae) |
| Artist Index A - L |
| Artist Index M - Z |
| Neal Prince's Theatrical Summary from 1934 to 1958 |
| "Cry Out Cassandra", Play by Neal A. Prince |
| "Razzamatazz", Musical by Neal A. Prince |
| Rare 19th and 20th Century Costume Design Collection |
| Neal Prince and Herbert W. Hemphill, Jr. Collections 1950-1967 |
| Appraisal, Page 1/13 |
| Appraisal, Page 2/13 |
| Appraisal, Page 3/13 |
| Appraisal, Page 4/13 |
| Appraisal, Page 5/13 |
| Appraisal, Page 6/13 |
| Appraisal, Page 7/13 |
| Appraisal, Page 8/13 |
| Appraisal, Page 9/13 |
| Appraisal, Page 10/13 |
| Appraisal, Page 11/13 |
| Appraisal, Page 12/13 |
| Appraisal, Page 13/13 |
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| Inventory Item NAPT-00052 |
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| Conrad Kiesel (1846-1921) German, Sepia Toned Crystoleum, on a Convex Glass Panel, 7"x10" |
Artist: Conrad
Kiesel (1846-1921) German
Title:
“Young Women Holding A Basket of Flowers”
Date:
Medium: Sepia Toned Crystoleum¹
Period: Late
Victorian, Traditional Pre-Raphaelites Period
Materials: Convex Glass Panel
Markings: Signed by Artist on the lower
right corner
Dimensions: 10.0” x 7.0”
Framed: Yes, with
an Ornate Gilted Frame, with an Art Nouveau frame
Provenance: Neal Adair Prince Trust u/a/d 10.18.1999
Mr. Neal Prince
Mr. Neal Prince
and Mr. Herbert Waide Hemphill, Jr. ¹
Roy
Davis Gallery, 231
East 60th Street, New York, New York 10022
Footnote¹: Crystoleum refers to an “artistic”
technique popular with ladies of leisure in the late 19th Century, whereby a preferably simple engraving is pasted onto a
pane of glass. With the utmost patience, the tissue of the paper is then scoured away, leaving only the tracery of the ink
outlines of the design on the pane. A sort of paint-by-numbers job will then ensue, filling in “the colors”
to the aesthetic fulfillment of devotees.
Conrad Kiesel (1846-1921), German
Mr. Kiesel
was born in Düsseldorf, Germany on November 29, 1846. He was originally trained as an architect while studying at the Academy of Berlin
where he discovered a new talent as a sculptor as an understudy with Fritz Schaper. He focused his talents as a sculptor and
worked steadily under Mr. Schaper, who thought highly of Mr. Kiesel’s skill. Under the successful exhibition of several
of his statues and bust, which garnered him considerable acclaim, he seems to have been seized with a sudden desire to become
a painter. As an understudy, he learned his first techniques under the direction of the painter F. Paulsen. Mr. Kiesel than
moved on to work under W. Sohn in Düsseldorf. Mr. Kiesel acquired his exquisite sense and technique for depicting fabrics and with vibrant brush strokes
brought life to the bold colors and added luxuriant texture to the paint surface, complimenting the lace and the fabrics that
adorn the figures. With the combination of his natural abilities in the art of painting and rigorous training under Mr. Sohn,
Mr. Kiesel’s success was assured in this third medium as well. His technical skill, composition and coloring made him
famous in his later chosen field. Mr. Kiesel would choose female beauties as one of his favored subjects and became an expert
at genre pieces. He participated in the Berlin Academy exhibitions after 1870, as well as exhibitions in Munich and
Düsseldorf. In 1885 he settled in Berlin as a portraitist and genre painter while at the same time maintaining his reputation
as a sculptor. He attracted paintings commissions from Emperor Wilhelm II and obtained an honorable professorship of the Berlin
Academy of Arts. Throughout his life, Kiesel submitted works at the Annual Great Art Exhibition in Berlin and
the Glass Palace Exhibitions in Munich, eventually receiving a Gold Medal in the 1889 and 1890 in Berlin, Germany. In 1892, he became a member of the Academy in Berlin, Germany. . In 1900 he received an honorable mention at the World Exhibition Universelle in
Paris, France. Mr., Kiesel style is recognized for his depiction of beautiful young ladies not so
much in the form of portraiture, but more as homage to feminine beauty, and the perfection of this beauty was heightened further
by the remarkable finish and purity of tone in his paintings of perceived exoticism of Southern and Eastern peoples. In Mr.
Kiesel’s handling of the figures, the stylistic influences of masters like John Singer Sargent are apparent. His work
is collected throughout the world, and is represented in many public collections throughout Europe and United States. Mr. Kiesel died on May
28th, 1921.
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DISCLAIMER: Some Photographs may reflect artwork being photographed through the original
glass of the frame artwork. This site is strictly for informational purposes only. And by no means will the Trust ever
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